Create one live-action photograph inside the wheelhouse of the exact FULL-SIZE GREY STEEL workboat in reference 1. Reference 1 is the authority for the vessel construction, sober grey painted welded steel, realistic wear, overcast light and normal human scale. Do not copy its external camera angle. Reference 2 supplies ONLY the resort architectural identity and layout seen at a distance: two-storey small white waterside guesthouse, glazed restaurant below, wood-framed glazed private room above, turquoise narrow terrace pool on the LEFT, white terrace chairs, external stairs on the RIGHT and wooden landing, floating white boundary buoys. Render it like an actual distant building, not a sharp inserted diorama. New camera is at adult helmsman's eye level just aft of the steering wheel, looking FORWARD through the front wheelhouse window OVER THE BOW at that resort around 35 metres ahead. A small part of the bow and its waist-high rail are visible outside in the lower left, with the SAME small handheld white megaphone near an A4 folder, less than the folder's long edge. Put ONE real black smartphone horizontally mounted in a compact black clamp on the dashboard just below the windshield without blocking the helmsman's entire view. Its rear cameras face OUT through the front window toward the resort; its display faces the viewer. The phone screen must show the same forward-view resort composition seen through the window, recognizable little white building/pool/stair shapes with a tiny red recording dot, no fake readable interface text. Phone about 16cm wide, steering wheel about 40cm diameter, believable relationship. Plain functional grey dashboard and analog gauges, flat steel window frames consistent with reference 1, matte surfaces, real subtle glass reflections, no excessive orange rust. Stern is BEHIND the camera and completely excluded from both main view and phone view; NO bait bag or fish blood anywhere. No people, no collage, no multiple panels, no captions, no CG render, no toy miniature look or shallow tilt-shift blur. Neutral cloudy daylight, natural camera exposure, normal 40mm-lens photo, 16:9.